9/17/2023 0 Comments Bleep bloop sound effect![]() Pitched down backing vocals give the music a sinister feel, unwinding into extremes once the breakdown enacts and the beat builds back up. “Out Here” featuring Gary Paintin follows in suit, produced with an even more drastic sense of movement and tonal restructuring. It’s the kind of systematic and orchestrated erasing of the norm that shows why hip-hop remains one of the most evolved forms of music since the genre’s inception. That’s my usual feel I like to go for but being on a Bleep Bloop produced track really makes it hit crazy to me.” Produced with little restraint, trap beats are given an altered lifeform, splattered with sideways rhythms and gun cocks as each section transforms to maddening states within the blink of an eye. Shit feels like a Monster energy drink when I hear it. On their collaborative work, Goon Des Garcon reflects, “I would call it X-Games mode. Modern wildstyles in hip-hop music that cross-over multiple times within the spectrum variation of genre. As the lead single to One Liners and one of the older songs recorded for the new release, it's a suitably consistent raw approach from the Little Rock, Arkansas native. “F12” features Def Jam’s Goon Des Garcons and rides through deep 808s. Many of the songs on One Liners have this effect, jumping in and out of chaos and serenity with effortless transition. It’s a track that feels simultaneously off the walls as it does firmly grounded, with the momentum of the track riding clear off the tracks and somehow finding a way back on. The music is solely planted to the floor with muscular drum patterns, structured with enough space to allow for passages to breath, rise, and eventually explode into the ether of Bleep Bloop’s unique sound designs. Distortion becomes overwhelmingly present and active, moving the shapes of the synth parts in odd forms and patterns. “Put U 2 Sleep” rides into more extremes and the process chains that build the synth’s identities. The music shimmers cleanly yet coils outward with unhinged frequencies, striking at the core of both sides of the musical fence with cohesion. It’s groove laced yet distorted into the type of world that Bleep Bloop has traveled his entire career. ![]() One Liners opener, “Hacker,” is a perfect example, dispersing high-energy synth towers over cascading drum breaks, intricately chopped vocal stamps, and dubbed out bass lines. True to his personal mission of constant evolution and forward progression, Bleep Bloop spins new cycles of thought around these foundational modes, producing yet another record that stands entirely on its own when analyzing his catalog. So I guess it makes sense that I amassed a bunch of music that’s kind of broken and fragmented but still clinging to itself and staying whole, since that’s what we are all doing right now.”Īfter a brief stint focusing primarily on abstract rhythms and modular synthesizer racks, Bleep Bloop created One Liners with the intention of going back to some of the core rhythms and anthemic structures of his past. No one knows what the future holds, and the narrative is totally broken and fucked. ![]() One Liners did end up reflecting a lot of things about my life and also the world. Bleep Bloop adds, “All the songs could stand alone if they needed to, but they don’t need to. Both in retrospect and in Bleep Bloop’s examination of the human collective consciousness. Disparate sounds fuse together across the 8-track EP that channel the many intricacies of life and the emotional responses molded from these experiences. Scheduled for release on July 10th across digital platforms and a limited edition cassette run of 100 copies, One Liners features Def Jam’s Goon Des Garcons and longtime visual collaborator and musician Gary Paintin. It’s a path filled with many climbs and many more rewards.Ī decade after his initial wave of releases and many of his eccentric techniques in multi-genre blends have funneled into his latest EP, and the first for Dome of Doom, One Liners. Bleep Bloop began his career releasing music in the early 2010s, quickly rising on the DJ Shadow imprint Liquid Amber and shattering speak systems live across the globe. Calibrated with a technical skill set and a visionary sense of exploration within frequency, rhythms, harmony, and progressions, Bleep Bloop’s sound has traveled the world over and redefines where experimental production music continues to head. Few have pushed tonality in modern music further than Los Angeles producer Bleep Bloop, creating anthemic productions that dive deep across the threshold of sonic surrealism. ![]()
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